I just realized why I only write short stories

I had an interesting realization this morning.

As my readers probably know, I work very fast. Inspiration hits, I start writing, and I don’t stop until the story is done. I might type for eight or ten hours straight, because if I stop for anything longer than a trip to the can, I’ll lose the holy fire of inspiration, and the story will die on the vine.

It’s really not a great way to run a railroad, I’ll be the first to admit. It limits me to short stories, rather than longerĀ work, and undoubtedly it’s responsible for my giddy-yet-somewhat-unhinged style. It’s not bad, it’s kind of unique, but it’s also limiting.

I had always assumed this was the result of my fairly short attention span, but I just realized this morning that it’s really my anxieties.

No, seriously: I take a half hour off to get lunch, and I begin to dread going back to it. I think, “This is terrible, no one’s going to read it anyway, why am I doing this?” I begin to dread how much of the work still lies ahead of me. I put it off. I question myself. I berate my talent. (I know I have talent objectively, but the longer I postpone things, the more I begin to doubt it emotionally). I take the night off, and it’s almost a guarantee that the story will be abandoned.

That’s why, I think, I only do short stories: That’s as much as I can manage before my inherent “Randy can’t do anything” feelings grow too big to be ignored. If I do it the moment the inspiration hits, I can maybe manage to bang a story out before my subconscious notices and paralyzes me. If I delay, then I’m dead before I can do anything at all.

That’s my suspicion this week, anyway.

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